“And suppose we do?” agreed Joan, her courage rising. “Why should we shun one another, as if we were both of us incapable of decency or self-control? Why must love be always assumed to make us weak and contemptible, as if it were some subtle poison? Why shouldn’t it strengthen and ennoble us?” She ended by rising abruptly and wishing them good-night. Her outburst had silenced Joan’s impish drummer, for the time. He appeared to be nervous and depressed, but bucked up again on the way to the bus. Greyson walked with her as usual. They took the long way round by the outer circle.!

“Don’t come with me,” she said. “There’s a cab stand in the Avenue. I shall walk to Sèvres and take the train.” “I’ll try,” he promised, “but it won’t be any use; I shall drift about the streets, seeking to put heart into myself, but all the while my footsteps will be bearing me nearer and nearer to the recruiting office; and outside the door some girl in the crowd will smile approval or some old fool will pat me on the shoulder and I shall sneak in and it will close behind me. It must be fine to have courage.”

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “Ah,” he said, “you would understand if you had. When one of the horses goes down gored, his entrails lying out upon the sand, you know what they do, don’t you? They put a rope round him, and drag him, groaning, into the shambles behind. And once there, kind people like you and Monsieur le Médecin tend him and wash him, and put his entrails back, and sew him up again. He thinks it so kind of them—the first time. But the second! He understands. He will be sent back into the arena to be ripped up again, and again after that. This is the third time I have been wounded, and as soon as you’ve all patched me up and I’ve got my breath again, they’ll send me back into it. Mam’selle will forgive my not feeling grateful to her.” He gave a short laugh that brought the blood into his mouth. And suddenly—as years before in a Paris music hall—there leapt to life within Joan’s brain a little impish creature that took possession of her. She hoped the miracle would not happen. The little impish creature within her brain was marching up and down beating a drum. She wished he would stop a minute. Someone was trying to talk to her, telling her she ought to be tremendously shocked and grieved. He—or she, or whatever it was that was trying to talk to her, appeared concerned about Reason and Pity and Universal Brotherhood and Civilization’s clock—things like that. But the little impish drummer was making such a din, she couldn’t properly hear. Later on, perhaps, he would get tired; and then she would be able to listen to this humane and sensible person, whoever it might be.